A good movie that's gotten a bad rap due to stubborn fans using poor defenses of the film when it's criticized.

They often say people just "don't get it" if they don't like it and anyone who doesn't should go watch Transformers 2 (or whatever other film which is at the time popular for lacking plot and overusing CGI, etc).

Personally, however, I still find it to be a very good movie, it's just unfortunate that it's gotten such a bad rep due to stubborn defenders who can't deal with other opinions

Usually defined as old (and/or significantly older), overweight and unattractive. They are usually in their mid-thirties to forties and older. They could have one of these traits or all three. The name is applied to these individuals who creep and stare at young adolescent boys and girls as well as high school and college aged females and males. In a female's point of view, we are freaked out by these guys and find it scary that someone as old as our fathers and/or grandfathers are sexually attracted to us. Other than that, we make fun of them for thinking they have a chance with us young-ins.

A movie (and book) about a Texas bumpkin who stumbles across $2 million, heroin and a slew of dead drug dealers in the desert. Rather than doing the civil deed of contacting authorities, the bumpkin steals the money and is subsequently chased by a silly-lookin' fella with a bad haircut. Although (we're told) the bad haircut dude kills anyone who inconveniences him, the case rule exception is morbidly obese beauty queens at trailer parks. As all of this is going on, a small town codger sheriff chats with people and occasionally investigates the case, but otherwise has little to do with the bumpkin and the bad haircut dude.

By the end, the audience has just witnessed the same allegories, cliches and plot holes of cinema in the past 60 years (although the film's apologists claim we just "didn't get it", and that the movie has a profound, cryptic meaning - which is often their own interpretation.) While "No Country" did gain a significant amount of critical/award acclaim, reception was actually much more polarized, evident by the defensive/flamebait nature of the film's defenders.

The hottest dance group of old men to ever exist.

A documentary showcasing the John McCain run for president of the United States of America.

The greatest and best movie of all time. Of all time.
A metaphor for how generation X and Y have degraded society and culture resulting in a time and a place unfit for old men.

1) A 2005 novel by Pulitzer Prize winning author Cormac McCarthy.

2) A 2007 film by the Coen brothers based on the book. Winner of four Oscars including best picture.

Both are inappropriate for children or idiots.

The Coen brothers stroking their egos. "No Country for Old Men" is not realy a movie per say (depending on who you ask) what rather a thesis on the state of the world and the rising evil that will consume us all, circa 1980. The first hour and a half follows the exploits of one Lewelyn Moss, played by Josh Brolin, as he finds a bunch of dead Mexican drug dealers and an ass load of cash and tries to find a way to escape with said cash. But, what's this, Mary Lou Renton is chashing him, but this time, she's a big Spanish assassin who kills people with a cattle gun named Anton Chigurh. Does Chigurh kill Moss, do they even meet? Fuck no, not really anyway! Moss is killed by Mexican drug dealers, and suddenly, out of the fucking blue, Tommy Lee Jones is the focus of this befuddling mess. People who really love this movie will say that it is visionary and bleak and realistic and all that crap. It's an uneven mess that doesn't live up to Coen brothers standards.

Old men who drive too slow, or shouldn't still be driving at all. The ones who always wind up in front of you.